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I know many many studios and artists and a large large % now when i chat about this say they are refusing to upgrade, more and more are sticking with what they have ,its good enough and this is to a backdrop of cut throat music sales where they make very low income for 1000's of streams and which then trickles into pro studios where they cant command good hourly rates ( as no label wants to pay good studio time, even mastering engineers are being hit hard, its really worse than people realise, it will turn into a dogfight in time.

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The only way software companies and apple can keep selling you a new system and software update is through forced format upgrade, at some point that will fail as a majority will eventually simply not keep jumping on the merry go round. I do remember when artists made a living from music, when people paid for it and when artists also bought software with no problem but were long past that now.Д®ventually software will go the way of music, as a market it will destroys itself through over saturation and through the selfishness of other humans. Its one a way down the ****ter trend, humans will forever see music as '# cheap and free now in the same way the artists now making zero from music will forever see software as cheap and free or a large %, that seems to be the trend, all as a result of big business really x that age old human trait called selfishness. Really thats how it works a fair bit now. Not that todays plugs sound bad or anything.ДЄgree and if people still paid for music the musicians would be able to afford more software also, but instead everyone gives their cash to spotify, apple and spends it on new little devices to listen to ****e quality music on.This feeds into a psychology in musicians now where many wont pay for software as they dont get paid for their music. If there was no piracy I believe we would have had much better sounding plugs these days.

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What was it Aoki said? That he did not know it was a cracked version as it was his engineer that makes the music for him, that installed it?

Does that benefit consumers in anyway? Nope it benefits Apple.ДЄpple does things that benefit Apple, they want to keep you locked into Apple products, when they stop building Macs in the next few years in favor of iOS devices (which they will) good luck finding anything that will take Apples proprietary 'standards'

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The USB port is a universal standard Apple went with firewire then thunderbolt because it benefits Apple not the consumer.ДЄpple's own 30 pin dock connector was a standard and when they ditched it instead of going to micro usb like the rest of the world's manufacturers, even though Apple itself agreed to do just that in 2009, Apple instead went with lighting, even going as far as putting code into iOS7 to make sure your Apple device would not work with non Apple Authorized lightning accessories. The MP3 was a universal standard, yet Apple did not use it on iTunes, as that would benefit consumers not Apple But right now it's not a good situation for Steinberg on the Mac.Apple is just not into following any standards open or not. Of course, this might change once every plugin is 64-bit from the get go. Mac VST 64-bit is the very last format that plugin developers get around to releasing (if ever). But because Steinberg wanted to control VST, the company is now sort of screwed on the Mac platform. If Steinberg had only made VST an Open Source platform we wouldn't be in this boat.

If I was Apple, I wouldn't want to let some small company (Steinberg) dictate audio standards. Well, you can't really fault a company for wanting to control its own destiny.

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