ThereвЂ™s a sort of Indiana Jones and the Last Crusade child/parent вЂњanxiety of influenceвЂќ dynamic at the outset that seems promising, but itвЂ™s relegated to LaraвЂ™s plaintive recollections about her absent archeologist father, and only casually explored.Д«y the time you reach that end, toting a private militiaвЂ™s worth of weaponry, youвЂ™re yanked from your explorerвЂ™s reverie into the sort of predictable run-and-gunnery weвЂ™ve come to accept from these games when they run out of better ideas and settle for trotting out waves of bad guys, mini-bosses and in this case one completely absurd boss battle. It was time given over to elaborate вЂњchallenge tombsвЂќ-optional side areas like the booby-trapped temple at the start of Raiders of the Ark, each a study in the art of not repeating puzzles or level design.ДЄnd it was untold hours devoted to inspecting every cliffside corner of the gameвЂ™s vast and pitiless Siberian snowscapes and forests, enamored with its network of extractable resources, its little troves of oil and magnesite ore and deer antlers and byzantine coins, all used to craft or purchase an array of improvements to rival the recipe system in UbisoftвЂ™s Far Cry games.Д«y contrast, the story in this followup to developer Crystal DynamicsвЂ™ 2013 Tomb Raider reboot-LaraвЂ™s first non-accidental adventure and outing as a seasoned protagonist-tries but never quite manages to rise above its B-movie grail quest pedigree. That was time spent dangling from grappling lines tenuously tethered to shimmering walls framing glacial cathedrals, nothing but the sound of LaraвЂ™s labored breathing or the crunch of her climbing tools connecting with ancient ice. Most of the вЂњ2d 17h 5mвЂќ the game reports I spent playing it to completion involved doing what I love most in these kinds of part-action-but-mostly-adventure games: fighting nothing at all. ItвЂ™s a measure of how much Rise of the Tomb Raider gets right then, that I spent a fraction of my playtime relishing LaraвЂ™s arsenal of misery, training gunsights on dim ski-masked villains, or creeping up behind others to axe-stab them senseless. Lara Croft is Rise of the Tomb RaiderвЂs badass with the moral high ground, except sheвЂ™s also a butcher on a truly outlandish scale. This is what you talk about when you talk about gaming these days, singling out a narrative tendency to trip over shoelace-tied gameplay, the shoelaces being the ongoing war between player freedom and вЂњYeah, I could see this actually happening.вЂќ Not that anyoneвЂ™s lobbying for realism in these games, itвЂ™s just become vogue to note the disparity, say, between a hero whoвЂ™s pitched as more or less ethical, and the trail of corpses she leaves in her wake.

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